Discuss the ways in which the extract constructs the representation of gender using the following: Camera shots, angles, movement and composition, Editing, Sound and Mise en scène

In this clip from the BBC show: 'Luther', gender is represented in such a way that women and men are definitely equal yet women do seem to be shown as the stronger, more dominant type which is usually associated with men. The woman in this clip completely dominates the narrative and ends up with all of the power by the end of the scene.
In terms of mise en scene, the men wear expensive looking shirts and suits which help to support the dominant ideology of men being smarter/dominant, more professional and successful. When the woman enters the scene, she is wearing makeup and has her hair styled in a fashionable way as well as wearing fashionable, smart looking clothes. Whilst she comes into the scene with a certain amount of presence and dominance which goes against the female stereotype, she also feels the need to look attractive through the conventional methods of makeup and hair styling. Her clothes also emphasize her figure and make it very clear to us that she is a feminine woman who can also be dominant in the presence of men. This subverts the stereotype of a dominant woman as they are typically stereotyped as being more of a 'tomboy' or an over-sexualised 'dominatrix' kind of character. The criminals clothing is more ragged and less tidy which tells the audience that he is of of a lower, less stable status.
The use of a low angle close/mid shot at the beginning of the clip shows Luther as the bigger, more dominant character as we are looking up at him from the criminals perspective which is shown from a high angle shot to emphasize the difference both in their physicality but in Luther's authority over the criminal. When using a shot/reverse shot editing technique to show the difference in impression of the two opposing characters (Luther and Ian - the criminal) their differences are emphasized yet they both have an equal amount of screen time. This could be because they are both male and therefore still hold a large amount of importance, no matter what their circumstances are, adhering to the dominant ideology of men being 'all-powerful' and dominant. When the woman enters the scene we first see her from a low angle shot which establishes her dominance but then we see her from a mid/long shot so that we can see her as equal to the men as well as her dominant body language when holding the gun and stern facial expression which supports her dominant nature. The continuity editing makes the action flow and seem fast paced and smooth, echoing her efficiency in their circumstances - a trait usually associated with men.
The non-diegetic sound of the music creates a tense, almost sad impression which is linked to the idea of emotional attachment which isn't common with the male stereotype, showing them as more emotional beings like women. Near the end of the clip a song begins to play which speaks of understanding and forgiveness, however it then goes on to talk about madness and violence. The overall tone of the song used is quite upbeat which makes it asynchronous as the action on screen is quite violent and dark, creating a clear contrast. The contrast between the music and the action could also be linked to the 'soft-hearted', 'gentle', 'emotional' stereotype of the woman being overcome by the dominant action of the woman on screen when she shoots a man without a second thought. She succeeded in completing a task that the men could not and eventually one of the men begs her to do it, hinting at a sense of role reversal.

Discuss the ways in which the extract constructs the representation of ethnicity using the following: Camera shots, angles, movement and composition, Editing, Sound, and Mise en scene

In this clip ethnicity in terms of minority groups such as Hispanic, Black and Asians are shown to be inferior to White people which adheres to ethnic stereotyping. These minority groups are portrayed as one unit that work and stick together as a family as they are all in a similar position when it comes to avoiding immigration. White people are stereotyped as being cruel and uncaring to those who are of different/stereotypically inferior groups. They adhere to this stereotype in the clip by walking into the hotel unannounced and seemingly don't care that they're running their operation in public where the British people will see what's going on. This could arguably represent the British people as being unjust and superior to those who are not classed as 'British'.
 The diegetic sound of the immigrants talking helps the audience to identify that they are different and it is obvious that they are all of various nationality, creating an umbrella term for the immigrants and placing them all in one inferior group as opposed to individual groups based on ethnicity. Also, the tone set through the non-diegetic, asynchronous sound of the music suggests a sense of normality through its calmness which contrasts to the action going on onscreen as the immigrants are frantically trying to run and hide from the authorities. As the authorities dominate and drive the action in this clip as they are the ones disrupting the hotel's (and the immigrants) environment, the music sounds almost like music that would be used in a spy or detective show. This communicates the fact that what's going on in this scene is driven by the authorities (who are all white) almost like an undercover mission.
the fact that the white people are all wearing suits/smart clothing suggests that they are wealthier/superior perhaps and are definitely of a higher place in the hotel hierarchy. Interestingly, there are a couple of black people who are also wearing suits and seem to have similar jobs to the white people who manage the hotel. However, they are still bossed around by the white people and seem to be incapable of doing the same job as them. This is shown in the part of the clip where the blonde woman who works behind the hotel reception desk asks the black man if he has completed the simple task of delivering some documents to another department in the hotel, he replies that he forgot and she then turns to the white men who represent the authorities and comments on how he has a "brain like a sive", therefore demeaning him and portraying him as dumb. The awkwardness of the black man in the suits behavior connotes that he perhaps doesn't know how to be authoritative which implies that he isn't suited to being in a position of responsibility of leadership and should remain inferior. In terms of setting, the immigrants live below the hotel and their working quarters/environment is very bare and prison-like in contrast to the luxurious, professional setting that the white people work in.
The use of action/continuity shots shows the fast paced, panicked nature of the action that is going on onscreen as the immigrants are trying to hide themselves away from the immigration officers. The fact that they have a set protocol for when this happens infers that they are no strangers to oppression and racism from the immigration officers, thus supporting their inferior status to the white people/immigration services. The parallel cut that jumps between their panic and the unknowing black character (Abraham) as the immigration officers hunt for him and the rest of the immigrants hide and hope for his safety.
A close up shot is used near the beginning of the clip on the white man who gives the orders to the policemen who surround the hotel. By highlighting his concerned, authoritative expression, he is therefore portrayed as a serious man who is not to be messed with. His status is then communicated through the way the camera then zooms out to show his influence over the officers. Finally, near the end of the clip when Jackie (the Asian woman) tries to stand up for Abraham after he has been taken, a mid/close up shot is used along with a shot/reverse shot editing technique to show how she attempts to stand up to the white immigration officer. This is effective as is shows that she is trying to overcome the stereotype of white people being superior and be on the same level as he is, e.g: a mid shot.

Doc Martin essay

'Doc Martin' Essay

The British Film Industry

Who does what in the British Film Industry?

The BBFC:

The BBFC is an independent, non-governmental body which classifies and censors film, video as well as computer and console based games released in the UK.

The BFI:

The BFI (British Film Institution) Promotes understanding and appreciation of Britain's rich film and television heritage and culture

The UK film Council:

is the government backed lead agency for film in the UK ensuring that the economic, cultural and educational aspects of film are effectively represented at home and abroad.

The BAFTA:

The BAFTA (British Academy of Film and Television Arts) aims to support, develop and promote the art forms of the moving image.

The British council:

The official UK agency for international cultural relations. Its film department promotes new British films (features and shorts), internationally principally through festivals and showcases.

Main British Production Companies - recent films

Film 4:

• '12 Years a Slave' (2013)
• '20,000 days on Earth' (2014)
• 'A Most Wanted Man' (2014)
• 'Black Sea' (2014)
• 'Ex-Machina' (2015)

E One (Entertainment One):

• 'Divergent' (2014)
• 'The Theory of Everything' (2014)
• 'Nightcrawler' (2014)
• 'That Awkward Moment' (2014)
• 'The Age of Adaline' (2015)

Working title

• 'Everest' (2015)
• 'About Time' (2013)
• 'Rush' (2013)
• 'Legend' (2015)
• 'The Danish Girl' (2015)

Bigtalk Productions

• 'Man Up' (2015)
• 'Cuban Fury' (2014)
• 'In Fear' (2013)
• 'The World's End' (2013)
• 'Sightseers' (2012)

Pathe

• 'Lucy' (2014)
• 'Mandela: long walk to Freedom' (2013)
• 'Selma' (2014)
• 'Suffragette' (2015)
• 'Centurion' (2010)

Warpfilms:

• 'The last Panthers' (2015)
• 'This is England '90' (2015)
• '71' (2014)
• 'For Those in Peril' (2014)
• 'Southcliffe' (2013)

Who dominates the UK film Industry?

Although it is becoming ever easier to create and produce feature films due to the new advances in technology, a lot of a movie's popularity and accessibility will depend on who the film is produced by. If a movie is made by a large, well-known company such as 20'th Century Fox or Universal Pictures, it is more likely to be seen and circulated than that of a company which nobody has heard of. Statistics show that in 2013 in the UK and Ireland alone, Warner Bros, Walt Disney and Universal had the highest grossing numbers in the sale of cinema/box office tickets. Warner Bro's gained 200 million dollars, closely followed by Walt Disney at an estimated 170 million and Universal with 150 million. In conclusion, Hollywood's big six mainly dominate the UK film industry along with some smaller production companies such as Sony Pictures, Lionsgate and StudioCanal.

British 'Cultural test' - British VS American films

Any film can be put through this 'culture test'. It must score at least 18 out of 35 to be classed as a British film and can claim 25% tax relief from the government:

'Avengers: Age of Ultron' - 15/35

•  A1 - the film set was in the UK, South Africa, South Korea, Bangladesh and Italy
• A4 - the film was written and recorded in English
• C1 (A,B) - many of the filming locations are situated in the UK
• D7 - Ben Davis, the cinematographer, is a member of the British society of Cinematographers

'Ex-Machina' - 14/35

• A2 - Domhnall Gleeson is an Irish/British citizen
• A4 - the film was written and recorded in English
• D1/2 - Director, Alex Garland, was born in London, UK
• D3 - Producer, Andrew Macdonald, was born in Glasgow, Scotland
• D4 - Geoff Barrow, one of the Composers was born in North-Somerset, England

'Star Wars the Force Awakens' - 10/35

• A1 - A lot of the filming locations are in the UK
• A4 - the film was written and recorded in English

'Mad Max: Fury Road' - 10/35

• A2 - Tom Hardy is an English actor and resident
• A4 - the film was written and recorded in English

'Old' Rules required for a film to be British 

• The Director must be British 
• The Producer must be British
• It must have a predominantly British cast
• A British production company 
• Subject matter that informs on the British Experience 
• British identity defined by the BFI in "Sight and Sound"

How do British films attract audiences? How are they distinct from Hollywood movies?

I feel that British films attract an audience by adhering to the British stereotype, e.g: having a man who speaks in a proper British accent in a neat suit and nice manners whose witty and has a way about him. Typical of that of a James Bond movie, Daniel Craig has set a standard that is expected of a British man by the rest of the world (especially America). In countries like America, they find the British stereotype amusing and enjoy portraying the British culture as being quite posh and sophisticated and therefore use the 'big six' in Hollywood to portray British people in this way. In contrast, British film producers might show the other side of the British culture, e.g. the more lower class, 'chavvy' generation of Brits. However they might still include the witty British gentlemen as the image is attractive all over the world and the British are especially proud to be stereotyped in this way. An example of a film that includes both representations and was very successful in attracting an audience is 'Kingsman: The Secret Service' as it includes a young, yobbish boy who is taken under the wing of a typical British gent played by Colin Firth - renowned for his gentlemen like qualities and characteristics of a stereotypical British man. 

Audience Types

Mainstream: Unlikely ever to view anything other than major 'Hollywood' style blockbusters.

Mainstream plus: generally mainstream, but apt to see less mainstream films on few occasions.

Aficionados: Tend to view a mix of films, including major foreign language titles, and can be encouraged to become even more adventurous in their viewing choices.

Film Buffs 1: Eschew mainstream films in favour of more extreme, esoteric, challenging and difficult subject matter (specialized) films.

I think that films such as 'Kingsman: The Secret Service' would have attracted mainstream plus audiences all over the world, especially in America. On its opening weekend in the USA, this film brought $42,000,000 into the box office and £4,152,128 into the UK box office. This is because of the attraction of the British culture and the love of the typical British spy story with a sharply dressed gent inspired by James Bond - a greatly loved character all over the world

Why have a British film industry?

I believe that having a British film industry is very important in out culture as we're a very small country in comparison to America where they have production companies such as the 'big six' and attractions like Hollywood. We feel the need to make other cultures know who we are and a British stereotype is very well known worldwide and is very well received. I think that we are proud to show off our culture to the rest of the world and make sure that we are seen how we want to be seen by the rest of the world. I don't think the British film industry is there to simply make money, its there to make sure the culture we want to show survives and gives off a positive view of the British culture. In a way, it is there to promote the British culture, but not in a snobbish fashion. Rather a way to show that we can be what people want to see (including what our own nation wants to see).

Representations of Sexuality in TV drama

Heterosexuality - Damon and Elena - 'The Vampire Diaries'

Heterosexuality is represented in this clip through a very happy, positive relationship, shown through the use of camera angles, editing techniques, and sound. The camera shots are mostly close-ups to show emotion and facial expressions that are mainly produced by Damon. He is adhering to the idea of the stereotypical male within a heterosexual relationship by being assertive and confident in admitting his feelings to Elena, looking directly at her and being in close proxemics with her. This could suggest that he is the more dominant of the two, therefore the idea of a stereotypical heterosexual relationship is being adhered to, confirming it as the dominant ideology. Also, the use of mid-shots shows their body language towards each other. Damon looks like he is stood very firmly with both feet apart and his shoulders rolled back, communicating a sense of power and dominance when talking to her. Elena on the other hand looks more timid and flirtatious by looking down slightly and then back up at him as well as holding her hands together and lifting her shoulder slightly, emphasising her neck and shoulders while communicating that she is perhaps more submissive towards him. the shot/reverse shot technique is used mainly to show how Elena is reacting to what Damon is saying, showing her as the stereotypical woman in the relationship whose job is to listen to the man. The use of Damon's speech over the top of the clip shows that he is dominant over their relationship as other clips are shown of them together but he is speaking for the both of them. Also, the use of slow, romantic music communicates how their relationship is happy and positive with little to no issues that can't be overcome by the power of love alone.

Homosexuality - Santana and Britney - 'Glee'

Homosexual relationships are represented in this clip as being difficult and restricted because of what everybody else feels is acceptable. For example, when Finn confronts Santana in the corridor, the low camera angle makes it look as though he is towering over her and making her feel small and powerless. This echoes the fact that she feels that she can't express her true feeling towards Britney in front of everyone else because of how she will be seen by the rest of society. This is representative of how society stereotypically feels towards homosexuality, e.g. hostile, confused, disrespectful. When Britney and Santana are together, the camera is on the same level (eye level) and the shot/reverse shot shows both of them equally. This represents that they only feel secure and equal when they're in each others company and confidence as opposed to when other people confront them about it. When Santana tells her own mother for example, she is told to leave the house and never return due to the fact that her mother has strong religious beliefs and won't accept her as a lesbian. A slightly lower camera shot is used when the camera is behind Santana's shoulder to show how her mother is belittling her and Santana remains powerless. It is only when Britney and Santana are together that they are shown to be on the same level.

Bisexuality - Barbara and Renee/Barbara and Jim - 'Gotham'

Bisexuality is shown in this show as being a source of conflict as Barbara cant seem to choose whether she wants to be with Jim or Renee. This represents bisexuality as being quite destructive and difficult both for those who are bisexual and for those who are involved with someone who is bisexual. For example, when Barbara is with Jim in the first clip, the lighting is dim and romantic. There's a crackling fire and a nice apartment where Jim comes home from work to his 'trophy' of a girlfriend who takes up the stereotypical role of the comforting, listening type. After Jim decides he doesn't want to go out, she simply accepts it and moves on to make sure he's comfortable and talks to him about his day to try and allow him to relax. She seems happy here. However, in the second clip when she is with Renee, she looks conflicted as though she still wants Jim but she chooses to be with Renee. Again, the warm lighting and the crackling fire in the background shows the comfort and safety she feels when she is with Renee whereas the apartment where Jim is shown making the call to her is dark and cold. This could represent the fact that Barbara feels conflicted as a bisexual as she doesn't want to hurt either Jim or Renee but she knows that she can only bring light and comfort to one of them. However, in the first clip, the high camera angle shows her as being the more submissive of the two which is stereotypical of a heterosexual relationship whereas in the second clip, a mid shot is used to show her and Renee on the same level as  they are both women.

How is disablilty represented through the character of Donna in Eastenders?

Representation of disability - Donna

Donna portrays herself as being quite defensive and bitter towards the rest of the world, which could be seen as stereotypical of someone who is disabled. She does this by putting on a front and immediately shutting down/turning away anyone who tries to talk to her. By doing this she is showing that as a disabled person she is accepting and expecting everyone to see and treat her a certain way. E.g. she believes that everyone else will see her as a disabled before anything else. She is surprised when Fats makes her breakfast in bed after their one night stand and she claims that she 'isn't a lady' when Fats explains that he wants to treat a lady properly. A mid shot is used during this scene to imply that they are equals within the relationship. This is supported by the fact that when Fats comes in, he sits on the bed, therefore he is lowering himself (physically) so that they are on the same level. This helps to support the dominant ideology of able bodied people trying to make a conscious effort to try and make sure that disabled people feel equal.

Donna thinks nothing of what happened between them as though she doesn't feel like she is worthy of having a real relationship, without any awkwardness. However, everyone else wants her to have a real relationship and is very supportive of her as a disabled person. For example her friend Pam treats her like a child when they're talking about her one night stand and begins to tease her and treat her as though she were a small child who thinks they're in love. A mid shot is used in this scene to show to height difference between the two characters. The camera is also placed behind Donna at a slight distance as though the audience are viewing the conversation from across the square. The audience then sees how patronising Pam is being towards her by standing slightly over her and treating her as though she were a child. It is then emphasised as the camera gets closer and we see Pam from an over the shoulder/low angle shot. This could be representative of the fact that Donna is the talk of the square because a disabled person is stereotypically not expected to be sexually active.

When Fats goes over to Donna's house for a supposed date, she falls over and he runs in to help her up. The high camera angle means that we are looking down on her as well as Fats, making her seem more vulnerable and needy which is stereotypical of a disabled person. However, she shows power and control when she brings him down to her level to help her up where a midshot is used to show how she wants them to be equals. Never the less, she falls again and we then go back to seeing her from a high angle shot, therefore we are looking down on her. This could be representative of how disabled people feel (stereotypically) that are lower/limited in terms of living life the way other people do. The use of the midshot and the digetic sound of the radio playing upbeat music suggests that she is trying to create a warm, loving atmosphere for their 'date'. She also makes an effort to wear a nice dress and do her makeup, only to be ruined by Fats not being able to overlook the fact that she is disabled.

Peer Assessment:

good understanding of the question and excellent detail of representation however more explanation of terminology is needed and how it links to each other.

Areas of Representation: Vikings

Representation in TV Drama - Vikings

'Gaze' theory

Gender gaze from MrsCmedia

Male gaze:

The male gaze is the way in which men view who and what is presented on screen, often women. It is also how men view themselves due to how men are stereotypically represented in the media. The male gaze is often the dominant ideology, therefore a lot of women look at themselves and other women through a male gaze and judge how they look through a male perspective as they feel that they have to be visually pleasing to men. Women then become objectified.

Female gaze:

Whether or not the female gaze actually exists is arguable as it simply reaffirms the male gaze of male power and dominance. The way most women see men is they way that men want to be seen themselves, eg: strong, muscular, powerful, wealthy, etc. Because of this, the question of the female gaze's existence is questionable as it is more of a male gaze but through a woman's perspective on a man.

My opinion:

I do agree with these theories in that they do exist and are quite prominent in todays society. Whilst these views can be quite objectifying and sexist (especially towards women) they are useful when creating things such as advertisements as they allow you to reach out to your target audience more. For example, by including a half naked or overly sexualised image of a woman in an advert directed at men, you are more likely to gain a male audience (the target audience) as it is what a man typically wants to see. This supports the male gaze as men see women the way they want to and woman see what they then feel is what men want them to be like, therefore they try to aspire to be like the women that are used in the adverts. 

An example of the male gaze is depicted above. In this case, the breasts are the only part of the woman that are on show, simply to draw men towards the advert. This advert objectifies women as it  shows them as sexual objects which are there 'for men'.

Regional identity (Representation)

Regional identity

Gender

Gender Representation

Gender:

The state of being male or female (typically used with reference to social and cultural differences rather than biological ones). Male and female are seen as sex categories whereas masculine and feminine are seen as gender categories . Overall, term gender refers to what is expected of males and females in terms of how they behave, what activities they participate in and what society deems appropriate for them.

Types of femininity:

• Weaker, more emotional
• Nurturing
• Submissive
• Fragile
• Vulnerable

Types of masculinity:

• Muscular/strong
• powerful
• wealthy
• dominant
• assertive
• confident
  

Who Am I?

Who am I?

Groups:

I believe that I only fit into one of these groups loosely, the group in question being the skaters. I am a snowboarder and skier, which automatically places me into a community of people who take part in the same sport and share the same lifestyle as me. Because of this, I find that my fashion/lifestyle choice is influenced by those within the same ‘skater’ community, however this is only when I take part in the sport. Outside of my sport, I am just a genuine open minded person.

What media figures inspire me?

I like to take a lot of my fashion/makeup choices from the actress Amanda Seyfried. I like the fact that she can pull off most looks and isn’t limited to a specific kind of style. We have a similar look and I feel that I reflect part of her personality as I aspire to be like her on many different levels. I love her personality and I aspire to show the amount of kindness and charisma that she does as well as taking inspiration from her style choices. I model myself on her because I feel like she has a personality and style choice that I like and that I can incorporate into my own personality. She has a certain image that I would also like to have.

Representation of myself: